The Curse of La Llorona Movie Review (2024)

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Is The Curse of La Llorona a good movie? ›

It effectively copies the directing style of James Wan (The Conjuring, The Conjuring 2), who serves as a producer here. And while La Llorona often feels like a copy, it's undeniably more effective than many other choppy, shaky-cam horror movies.

The movie is a low budget effort with almost no serious special effects. Half the time the Llorona is a white robe moving in the water here and there. The side story of a couple having lost a child feels forced and fake. The writing is uninspired and the scenes seldom interesting.

"La Llorona" avoids the tropes of horror... Instead, this smart and elegant film feels like a languid bit of cinematic magical realism where strange things happen - and the real horror lies not in the supernatural but in the savage acts of men. Content collapsed.

A promotion around the movie The Curse of La Llorona using traditional Mexican healers for “spiritual cleansings” before screenings of the horror film is drawing strong criticism from healers and scholars who say the stunts are offensive and demeaning.

They could've gone the psychological horror way, as they did in The Babadook, and the premise would've made this possible. Instead, they just show you La Llorona in the first 20 minutes, ultimately killing all your interest in this movie. The Curse of La Llorona was not only a lousy horror but a bad movie altogether.

However, the closet is revealed to actually have been protecting the two boys from a mysterious woman, and once they are freed, they are found in a river dead. When Anna is called to the crime scene, her two kids must come with her, and that is when her son Chris (Roman Christou) first encounters La Llorona.

La Llorona has long hair and walks around crying. I heard from the counsellors at Juvie that she had two kids that she drowned because they were bad. She drowned them in Tijuana.

She killed her children because she was mistreated after violating a sexual taboo, a “rule of the tribe”: According to legend, La Llorona killed her children and drowned them in the river. There are hundreds of variations on the story, but the point is she gave birth to illegitimate children.

La Llorona (Latin American Spanish: [la ʝoˈɾona]; 'the Crying Woman, the Wailer') is a vengeful ghost in Mexican folklore who is said to roam near bodies of water mourning her children whom she drowned in a jealous rage after discovering her husband was unfaithful to her.

The Curse of La Llorona | 2019 | R | – 1.7.

What happens if you talk to La Llorona? ›

She is always heard weeping for her children, earning her the name "La Llorona". It is said that if you hear her crying, you are to run the opposite way. If you hear her cries, they could bring misfortune or even death.

Based on the Latin American folklore of La Llorona, the film stars Linda Cardellini, Raymond Cruz, and Patricia Velásquez, and follows a mother in 1973 Los Angeles who must save her children from a malevolent spirit trying to steal them. The film was produced by James Wan through his Atomic Monster banner.

Some identify her as the damned ghost of a poor woman from Ciudad Juárez, who stabbed her children and disposed of them in the Rio Grande in order to win the affection of a wealthy man. According to another legend, La Llorona is actually La Malinche, the crucial interpreter and lover of Hernán Cortés.

The common belief that the legend of la Llorona began as a Mexican folktale is not quite accurate. The truth is, that the story has been told throughout central and south America for more than 100 years. The earliest recorded mention of la Llorona comes from a sonnet by Mexican poet Manuel Carpio in the mid-1800s.